Titane director Julia Ducournau is the second woman to win the Palme d’Or
A review of the monster car movie that won the big prize at Cannes.
Celine Dion biopic Aline is a journey beyond all cinematic taste
“There were reportedly no boos at the Cannes premiere; I was there and was far too shocked to verbalize my dismay. Perhaps others were, too.”
The French Dispatch by Wes Anderson is an intricate love letter to transatlantic culture
A review of the all-star ode to 20th century journalism, art and revolution that just premiered at Cannes.
Cannes report: The French festival strives for relevance in turbulent times
The film event of the year makes a comeback with the usual suspects and a diverse array of new faces.
Philippe Falardeau takes My Salinger Year to Berlin
The latest, Montreal-shot film by the Quebec director and a new film by Chinese auteur Jia Zhang-ke premiered at Berlinale.
Cannes prizewinners pt. one
Awarded films from the French festival’s Un Certain Regard programming.
Monia Chokri and Anne-Elisabeth Bossé premiere their new film at Cannes
An interview with the lead actress and director of La Femme de Mon Frère, a very Montreal film.
We saw The Dead Don’t Die premiere at Cannes
Our review of the new Jim Jarmusch zombie movie, a feature debut called Bull and more from the French film festival.
Spike Lee nails it but #MeToo darling Eva Husson flops miserably at Cannes
Reviews of BlacKkKlansman and Girls of the Sun, fresh from Cannes.
Cannes day 2: Leto and Yomeddine continue the lyrical streak in an oddly sentimental edition of the festival
The Soviet music underground and the Egyptian social underground are depicted in two films vying for the Palme d’Or.