REVIEW: Solange, When I Get Home

After A Seat at the Table, Solange solidifies her queendom by merging contemporary art with African-American urban culture, Southern tropes with contemporary sonic experiments.

REVIEW: James Blake, Assume Form

Richly layered production of flute flutters, melodic piano structures, strings, deep bass and trap snares are paired with features from Rosalía, André 3000, Travis Scott, Moses Sumney and Metro Boomin.

REVIEW: Diana Gordon, Pure

Previously known for her electro-pop/dance project as Wynter Gordon, Diana Gordon returns to R&B, releasing Pure, the first EP under her own name.