All levels dance class feels sexy, safe, joyful
We checked out the new improv class at the White Room Studio.
Arts | Dance
Who we are...
Cult MTL is a daily web and monthly print publication focusing on Montreal music, arts, culture and city life.
Along with interviewing local and visiting artists, promoters and entrepreneurs, we feature analysis and criticism by our editorial staff and crew of columnists and freelancers, compile comprehensive event listings, curate a daily To-Do List and run the annual Best of MTL readers poll.
Editorial Staff
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Lorraine Carpenter
- Editor in chief, music editor
- lorraine.carpenter@cultmontreal.com
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Alex Rose
- Film & TV editor
- alex.rose@cultmontreal.com
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Nora Rosenthal
- Arts editor
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Rob Jennings
- Editorial Assistant
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Clay Sandhu
- Contributing editor (food)
- Advertising
- General inquiries + feedback
Contributors
Amy German, Brandon Kaufman, Cindy Lopez, Claude Boileau, Darcy MacDonald, Dave Jaffer, Elena Razlogova, Erik Leijon, Greg Vodden, Johnson Cummins, Justine Smith, Mira Silvers, Mr. Wavvy, Paul Serralheiro, Roxane Hudon, Ryan Alexander Diduck, Sarah Deshaies
In print
Our publication is distributed across Montreal on the first Thursday of every month.
See a complete list of locations
Recent issue
May 2019
Cult MTL is published by Cult MTL Media Inc. and printed by Imprimerie Mirabel. Entire contents are © Cult MTL Media Inc.
Dancers and musicians connect at 5 on 5
Kimberley de Jong on facilitating monthly doses of interdisciplinary improv fun.
Exploring concussion through dance in Collision
The show by dancer Gabriela Guerra Woo and choreographer Tiera Joly Pavelich is on now at the Fringe Festival.
Dancer Dana Michel delivers entrancing and determined weirdness
A review of the mesmerizing Cutlass Spring.
Indigenous electronic music meets playful post-postmodern dance
We checked out Radio III, an upcoming interdisciplinary performance at the MAI.
recent articles
| see all
Agora hosts a four-part dance experiment
We spoke to Mélanie Demers about letting other choreographers remix her work in Danse Mutante.
Innervision is 62 dancers nonsensically writhing on 30 tables
Martin Messier’s “doomsday ballet” is a curiosity for onlookers at the Place des Festivals.
New gestures of suffering in Daina Ashbee’s Pour
A review of a remarkable dance show starring Paige Culley.
Dance as neoliberal burnout
In which our critic deconstructs the various issues in an underwhelming piece of “deconstructed dance” that left her with “the strong desire to flee.”