POP Montreal and A Varning From Montreal are all heart and their programming proves it.
Listen to the best tunes made in Montreal this year.
Local director Stéphane Lafleur has made a coming of age film containing none of the genre’s clichés, and its tonal similarity to his previous work only makes it better.
When it comes to music festivals, the prevailing notion is that bigger is always better. After all, Osheaga made the switch from two to three days, while Coachella is now over two weekends, and both seem to be better for it in the court of public opinion.
Thankfully, the Festival de musique émergente en Abitibi-Témiscamingue (better known as FMEAT or FME) is a different beast altogether. The annual fest, which this year celebrated its 10th birthday from Aug. 30–Sept. 2, is a defacto-retreat into cottage country for summer festival-fatigued Quebec music industry-types and artists, so instead of feeling like yet another pit stop on the estival festival itinerary, FME is an invigorating deep exhale in the crisp, dewey woods after three months of holding in particulate urban smog.