We spoke to screenwriter Anthony McCarten, the biopic specialist behind Bohemian Rhapsody and Fernando Meirelles’s new film.
Try as they might, Helen Mirren and Ian McKellen can’t save this twist-heavy, preposterous thriller.
Edward Norton wrote, directed and starred in Motherless Brooklyn, an endeavour he’s been chipping away at for 20 years — and it’s a mess.
We spoke to Antonio Banderas about “playing” his old friend Almodóvar in the Spanish auteur’s new film Pain & Glory.
We spoke to Myriam Verreault on her new film, set in a First Nations community on Côte-Nord.
Renée Zellwegger is appropriately iconic as the talented, troubled Ms. Garland in Judy.
Jennifer Lopez is spectacular in this true story of Wall Street douchebags getting served.
A pulp fiction adaptation, a Chinese street vendor/anarchist doc and a rare look at organized crime middle management.
…including a contemporary take on Les Misérables and Dakota Fanning wading into dodgy waters.
No spoilers here, but this finale to Stephen King’s horror classic is better than any iteration of It (including the book).