Montreal curator and writer Amber Berson on challenging the art world’s thinking about being a mother.
Imago Theatre’s mounting of Hannah Moscovitch’s Other People’s Children doesn’t quite work, but the company is not to blame.
We spoke to POP Montreal cofounder Peter Rowan about his latest endeavour: the Greville Tapes Music Club.
Ah, mom jeans — better or worse than 24/7 yoga pants?
Talisman Theatre’s English-language debut of The Medea Effect twists feminist and Freudian themes into a tense psychological drama.