The venerable actor’s final film is the perfect career capper.
Some award hopefuls, a homegrown zombie movie, Harry Dean Stanton’s swan song and a major disappointment round out the last stretch of FNC.
Alex Cox’s 1984 cult classic Repo Man has just been released by Criterion in one of their typically sweet packages.
The guys-with-guns genre is played out. What’s a guy (In Bruges director Martin McDonagh) to do but to follow it up with a self-indulgent, rambling meta-movie that points out exactly what is wrong with the genre?