REVIEW: Solange, When I Get Home

After A Seat at the Table, Solange solidifies her queendom by merging contemporary art with African-American urban culture, Southern tropes with contemporary sonic experiments.

REVIEW: Anemone, Beat My Distance

What separates Chloé Soldevila and the gang from other practitioners of cheery and trippy psychedelic pop is their ability to lock into a groove and keep the party going.

REVIEW: Weezer, The Teal Album

Weezer surprise-released The Teal Album, a project featuring 10 incredibly safe covers of songs that have already been re-imagined to death throughout the years.

REVIEW: Radiant Baby, Restless

DIY synth-pop in this town isn’t exactly a rarity, but one song and a soaring sax outro into Restless, it becomes pretty apparent Felix Mongeon is diving head-first into the kitschy subgenre with greater sincerity than most.

REVIEW: James Blake, Assume Form

Richly layered production of flute flutters, melodic piano structures, strings, deep bass and trap snares are paired with features from Rosalía, André 3000, Travis Scott, Moses Sumney and Metro Boomin.