Benoît Pilon’s new film Iqaluit uses Nunavut as a backdrop for a mystery and study in alienation.
The indie film titan tells us all about his new movie, Paterson.
The Best Picture Oscar should go to one of two objectively superior and incredibly relevant films.
The unclassifiable German film Toni Erdmann is getting a Hollywood remake — huge mistake.
Adriana Ugarte and Almodóvar vet Rossy de Palma on the auteur’s latest, Julieta.
Why Him? is one of those generic movies that needs rock star cameos to be passable (which it isn’t).
The award nominations are rolling in for Natalie Portman’s starring role in Pablo Larraín’s unconventional biopic.
Lion glosses over its unfilmable elements with soap opera drama and, well, gloss.
Top 10 lists by six Cult MTL critics. PLUS: Best shows and biggest disappointments.
Given all the quality tearjerkers in cinemas this month, this manipulative Will Smith vehicle is an insult to feels.