An independent opera company is aiming to break down the barriers between opera and contemporary audiences.
Women aged 16-21 with an interest in theatre as an art form, a profession and a community can (and should) apply to Imago Theatre’s free mentorship program.
In which local “professional piss-taker” Joe Bagel claps back at Elon Musk in iambic pentameter.
An altogether glowing review of Old Stock: A Refugee Love Story, which closes next Wednesday.
So grateful to no longer be a teen, Oren Safdie delves into sex, lies and high school in latest work, Gratitude.
A Doll’s House, Part 2 is a strange and wonderful thing, a kinetic drama about the aftermath of one of the most famous exits in theatre history.
Acts to Grind Theatre makes an interesting and bold choice to stage David Mamet’s masterwork at a time where Mamet might be the least relevant he’s ever been.
Imago Theatre’s mounting of Hannah Moscovitch’s Other People’s Children doesn’t quite work, but the company is not to blame.
In which Infinithéâtre and McGill’s English Department present Shakespeare’s sonnets presented like you’ve probably never seen them before.
MainLine Theatre’s wild and lively musical version of Richard O’Brien’s The Rocky Horror Show opens tonight!