Passages director Ira Sachs on the art of the steamy love triangle
An interview with filmmaker about labels in life and art, and creating chemistry with Franz Rogowski, Ben Whishaw and Adèle Exarchopoulos.
Danny and Michael Philippou on their feature debut, the terrifying Talk to Me
An interview with the Australian twin filmmakers known for their eyebrow-raising YouTube channel RackaRacka.
Kelly Reichardt examines the artist’s life in her new film Showing Up
We spoke with Reichardt about teaming up with Michelle Williams for the fourth time and how her teaching job at Bard College influences her work.
Director Frances O’Connor talks about bringing Emily Brontë to the big screen
With her feature debut Emily, Frances O’Connor tries to capture the genius behind Wuthering Heights.
Sarah Polley goes deep on her new film Women Talking, an action movie in words
“The conversation that happened because of the MeToo movement created the conditions for a movie like this to be financed. But I never connected to the idea of it being a MeToo movie. Ultimately, it’s about now that we know what these harms are, how do we move forward and heal in ways that are productive and full of hope and recovery?”
Arizona O’Neill interviews 12 Quebec artists about happiness in her new illustrated book
We spoke with the author and illustrator behind Est-ce qu’un artiste peut être heureux?, a project she began by interviewing her mother, Heather O’Neill.
Charlotte Wells spoke to us about her sublime feature debut, Aftersun
An interview with the Scottish filmmaker about her American film school experience, working with Sundance and what it took to bring this personal, reflective film to the big screen.
Claire Denis talks about her new romantic thriller Stars at Noon
The French filmmaker told us about adapting a novel set during the Nicaraguan Revolution, and resetting the story in modern-day Panama.
Horror takes a backseat in the still-horrific millennial slasher film Bodies Bodies Bodies
Rich, coked out Americans, who diagnose each other like TikTokers with a degree in anything but Psychology, become a cavalcade of corpses in Halina Reijn’s new film.