The Last Black Man in San Francisco is all surface
This well-intentioned film falls short of achieving its dual goals: to reflect American social ills and to be a nostalgic love letter to a city.
Godzilla: King of Monsters radiates disappointment
This sequel squanders the impressive dramatic groundwork laid down by its 2014 predecessor.
For a decidedly dreary indie film, Diane is pretty great
Mary Kay Place portrays an older single woman weighed down by guilt and the need to help everyone but herself.
More bizarre dystopian ideas and recycled blockbuster tropes than we can handle
The first in an impending saga of Mortal Engines films is too boring to be a spectacular failure.
Robin Hood seems more interested in lifting from Kingsman and Marvel franchises than its own origin story
Even worse, this latest version winds up reproducing the very ideologies it purports to critique.
Mid90s is a promising debut for Jonah Hill
The actor-turned-director’s debut feature is well-observed, though thinly-sketched.