The Last Duel is an unexpected triumph
The Good Will Hunting boys team up with Ridley Scott for a surprisingly nuanced medieval take on #MeToo.
Night Raiders, an Indigenous tale of a dystopian future haunted by the past
Filmmaker Danis Goulet discusses Indigenous futurism and the notion that some communities are already living in the post-apocalypse.
No Time to Die is as good as James Bond movies get
Daniel Craig’s last turn in the franchise is a fitting send-off and one of his best outings as Bond.
The United Nations Film Festival comes to Montreal this weekend
Resilient Children, Art as a Tool for Social Change and Environment, Indigeneity and the Arctic are the themes of the travelling festival’s only Canadian stop.
Annette brings toxic masculinity to the musical rom-com
Leave it to French filmmaker Leos Carax, art rock duo Sparks and Adam Driver to cast darkness on the most upbeat genre.
The Forever Purge excels at turning American myths into American nightmares
“The heavy-handed political ideas feel necessary to underline the conviction that America is a dangerous place for non-white people and poor people.”
Lin-Manuel Miranda musical In the Heights explodes with imagination
Jon M. Chu’s powerful adaptation of the Broadway hit is a timely celebration of community and solidarity.
A Quiet Place Part II is cynical and empty
John Krasinski returns to the well of his surprise hit with pretty poor results.
A crash course in the Montreal TikTok scene
“A rich and vibrant community of Montrealers using the app in fun and creative ways.”
French Exit runs on old-Hollywood whimsy & a little Michelle Pfeiffer magic
Director Azazel Jacobs spoke with us about his Montreal-shot film.